Box 1
Contains 15 Results:
Series 1
Carbon copy typescript of the complete play, ca. 1951
Contains some markings, possibly by a copy editor. 168pp.
Carbon copy typescript of a shortened version of the play, ca. 1951
Contains some revisions. Folder cover signed by DLS. 123pp.
Drafts of “History to ‘The Emperor Constantine” by DLS, used for the Festival program in 1951, ca. 1951
Typescripts and carbon copies with some revisions. 45pp.
Preface, program note, and prologue for Christ’s Emperor, ca. 1952
Explained by DLS as a “play which will be presented at St. Thomas’s Church, Regent Street, for a few weeks beginning on 5th February, [and] is the second half of . . . The Emperor Constantine.” Carbon copy typescript with some revisions. 39pp.
Correspondence and notes relating to the production of the play, 1950-1952
Including: clothing lists for the laundry, notes regarding the scenery used in the play, cast lists, costume lists, and festival brochures and invitations. 63pp.
Correspondence relating to the play, including some fan mail, arranged chronologically, n.d.-1949
This folder begins with the second page of an undesignated letter, and 3 undated letters (2 from Norah Lambourne). Most letters are from The Bishop of Colchester. 53pp.
Correspondence relating to the play, arranged chronologically, February-April 1950
Correspondents include: The Bishop of Colchester, W.W. Blair-Fish, Basil Coleman, Eric Crozier, and John Izon. Also with this folder are drafts of letters and other works by Sayers en verso of various pages, including a review by Sayers of Dante and Virgil by J.H. Whitfield. 68pp.
Correspondence relating to the play, arranged chronologically, May-October 1950
Also included are 3 samples of unidentified fabric (probably costume material), production notes, and financial information. Correspondents include: W.W. Blair-Fish, Norah Lambourne, and John Izon. Also with this folder are drafts of letters and other works by Sayers en verso of various pages. 49pp.
Correspondence relating to the play, arranged chronologically, November 1950-May 1951
Some financial notes as well. Correspondents include: Ian Vogler, festival director, The Bishop of Colchester, and John Izon. Also with this folder are drafts of letters and other works by Sayers en verso of various pages. 67pp.
Correspondence relating to the play, arranged chronologically, June 1951-1954
Correspondents include: H.Hepburn Reid, Mayor of Colchester, Ian Vogler, and The Bishop of Colchester. Also with this folder are drafts of letters and other works by Sayers en verso of various pages. 53pp.
Copy of the first edition of the printed play with extensive autograph markings and directions by Sayers, especially in the second half, 1951
Title page and publication information have been photocopied for the research copy of the archive. Ask archivist to see original– very fragile condition. 4pp.
Photographs of stage props for The Emperor Constantine
Sayers created these props for her play, The Emperor Constantine. Props now owned by the Dorothy L. Sayers Society. "Neck chain with medallion of St. George" given to the Wade Center by the Dorothy L. Sayers Society. Photograph listing and 9 photographs. 4pp. (Arrived separately from the other materials in this archive).
Copies of the covers and a few marked pages from two printings of The Emperor Constantine, 1951-1952
12pp. (See the book list at the end of the contents listing for more details.)
The Emperor Constantine Archive
The Emperor Constantine archive contains materials relating to the religious play of the same title by Dorothy L. Sayers including: various copies and scripts of the play, some production notes, and related correspondence primarily regarding the Colchester Festival where the play was first performed in 1951.