Evangelistic work -- South Africa.
Found in 11 Collections and/or Records:
Papers of Dutch watchmaker, evangelist, author, and Christian aid worker Corrie ten Boom. The collection includes information on her father Casper ten Boom, her imprisonment in Ravensbrück concentration camp during World War II, her work among refugees after the war, her travels as an evangelist, the work of her two foundations, and the production of the film The Hiding Place. The collection includes audio tapes, correspondence, a film, notebooks, photos, photo albums, and video tapes.
This collection consists of 52 reels of microfilm containing correspondence and reports concerning Anglican missions in South Africa prior to diocesan organization, and concerning five dioceses: Capetown, 1847-1900; Grahamstown, 1853-1900; Natal (Maritzburg), 1853-1900; St. John's-Kaffraria, 1874-1900; and Zululand, 1866-1900. Reel 52 is a detailed index, and includes a history of S.P.G. South African work. The originals for the microfilm are in the U.S.P.G. headquarters in London.
Diaries, notebooks, correspondence, clippings, financial records, tracts, photographs, and certificates belonging to Malla Moe, missionary to South Africa, 1892-1953, under Scandinavian Alliance Mission (later TEAM). Correspondence documents evangelistic work among South African tribes in Swaziland and Tongoland and includes descriptions of the Boer War, life in African communities, and church growth.
Correspondence, academic papers, clippings, reports, films, videos, and other materials relating to Orr’s life as an evangelist active around the world and as a professor and historian of spiritual awakenings (revivals) and evangelism. The collection is an excellent source on Protestant Evangelicalism as a global movement in the twentieth century.
This collection contains a letter describing missionaries Daniel Lindley and Henry Venable attempts to establish a mission station in a southern Africa territory under the protection of a tribal chief, local marriage customs, severe drought and impressions of Robert Moffat, Robert Hamilton and Roger Edwards.